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| The Electronic Disturbance (continued) | |||||||||
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Interactive sensors permitted sounds or movements made by a performer in one city to control theatrical elements in another. For instance, the vocal inflections of a singer in Santa Fe modulated the lighting in New York
Creation of The Electronic Disturbance was funded in part The AT&T Foundation and Meet the Composer. |
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Surfacing | Future of Memory | Reine Rien | Chemical Wedding | In Plane | Other Works |
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